Jan. 22nd, 2005 11:22 pm
Ended up going to see. . .
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Phantom of the Opera. A long time ago, I swore I'd never throw any money at Joel Schumacher ever again. Dirty, dirty common street tramp of a director destroyed the Batman franchise, you know?
Rachel has long been a Phantom fan--I can't remember how many times she's seen a production of it. Throughout the movie, she kept nudging me. It seems she thought I was napping for the majority of it. I was not. There are few musicals that I've really taken to. Moulin Rouge was one. THE one that I could sit and watch just about anytime is. . .(wait for it). . .Grease. Couldn't really tell you why. I do have a memory of seeing it in a theater with my mom when I was really, really young. Let's see, I would've been 5 when it was released, so I suppose it's ingrained itself into my subconscious. Heck, I would even suffer through Grease 2 for Michelle Pfeiffer and the Reproduction number. Heh, now I can hear Al Pacino's Tony Montana saying El-Vee-Rah.
Anyway, I can't say I really got into the movie as much as I got into Moulin Rouge. It did, however, pique an interest in me to see a stage production of it someday. That and Les Misérables. In fact, I'd like to read my abridged copy of Les Misérables again. Perhaps one day, I'll pick up an unabridged copy of it and dive in. Maybe.
All in all, though, it wasn't horrible. . .at least it wasn't Christmas with the Kranks--which probably isn't fair, since I haven't seen it, but I really don't care to. Oh yeah, Emmy Rossum reminded me of a young Trini Alvarado, whom I liked, so as such, I have an affinity for Emmy Rossum now. Previews were somewhat interesting. Have to make a point to rent Terence Malick's The New World whenever it's released on DVD. Iffy on Kingdom of Heaven--oh look, it's Orlando Bloom waging war again (just a wee joke). It was good to see that Michelle Trachtenberg has gotten some work. She didn't annoy me too much as Dawn on Buffy, and Ice Princess has a cutesy look to it. Hey, I went to a theater to see The Cutting Edge, I like Moira Kelly THAT much, so there.
By the way, I have had impulses to break out into song of late now, though. I turned to Rachel and sang as I asked her what she wanted for dinner.
.: in my tenor, or is it baritone?, voice and to the tune of The Phantom of the Opera song :.
What would
you like to eat?
Are you star
viiiiiing?
I'll stop somewhere
for yoooou!
So you can eat. . .
Ok, I'll stop now. Please find it in your heart to forgive me.
Rachel has long been a Phantom fan--I can't remember how many times she's seen a production of it. Throughout the movie, she kept nudging me. It seems she thought I was napping for the majority of it. I was not. There are few musicals that I've really taken to. Moulin Rouge was one. THE one that I could sit and watch just about anytime is. . .(wait for it). . .Grease. Couldn't really tell you why. I do have a memory of seeing it in a theater with my mom when I was really, really young. Let's see, I would've been 5 when it was released, so I suppose it's ingrained itself into my subconscious. Heck, I would even suffer through Grease 2 for Michelle Pfeiffer and the Reproduction number. Heh, now I can hear Al Pacino's Tony Montana saying El-Vee-Rah.
Anyway, I can't say I really got into the movie as much as I got into Moulin Rouge. It did, however, pique an interest in me to see a stage production of it someday. That and Les Misérables. In fact, I'd like to read my abridged copy of Les Misérables again. Perhaps one day, I'll pick up an unabridged copy of it and dive in. Maybe.
All in all, though, it wasn't horrible. . .at least it wasn't Christmas with the Kranks--which probably isn't fair, since I haven't seen it, but I really don't care to. Oh yeah, Emmy Rossum reminded me of a young Trini Alvarado, whom I liked, so as such, I have an affinity for Emmy Rossum now. Previews were somewhat interesting. Have to make a point to rent Terence Malick's The New World whenever it's released on DVD. Iffy on Kingdom of Heaven--oh look, it's Orlando Bloom waging war again (just a wee joke). It was good to see that Michelle Trachtenberg has gotten some work. She didn't annoy me too much as Dawn on Buffy, and Ice Princess has a cutesy look to it. Hey, I went to a theater to see The Cutting Edge, I like Moira Kelly THAT much, so there.
By the way, I have had impulses to break out into song of late now, though. I turned to Rachel and sang as I asked her what she wanted for dinner.
.: in my tenor, or is it baritone?, voice and to the tune of The Phantom of the Opera song :.
What would
you like to eat?
Are you star
viiiiiing?
I'll stop somewhere
for yoooou!
So you can eat. . .
Ok, I'll stop now. Please find it in your heart to forgive me.
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I saw Phantom on stage once, it was really awesome and I recommend it.
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Cool. Perhaps it'd be a good gift taking Rachel to see Phantom on stage again. Perhaps.
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Wasn't he in Black Hawk Down? Can't remember.
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Dang, that's a far cry from Legolas, indeed.
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I wouldn't bother getting the unabridged Les Mis - while in parts the language is gorgeous, at the same time, 50 page digressions on the daily habits (no pun intended) of nuns just does NOTHING for the story. I'm NOT exaggerating.
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You know, that rings a bell, and would partially explain why I hadn't bothered picking up the large copy of it. I mean, really, it's easily been some fifteen years since I wanted to do so.
Hmm...
If you're a little girl Tenor, you can sing things like the Righteous Brothers Unchained Melody in key, note for note. If there are high notes that you just can't reach, then you're a manly Baritone.
:)
Re: Hmm...
I can reach the lows on Mmmm Mmmm Mmmm Mmmm really well, though.
Actually...
Me, I'm often having to key shift or drop an octave.
Re: Actually...
Also...
I've seen Les Mis several times, and was lucky enough to have had a *great* performance the one time I splurged for seats front row center. Oddly, while I've seen many Broadway and Opera shows, never Phantom. While I can't compare, Les Mis is clearly a top-tier Broadway production, and well worth the cheap seats when it comes to town. Opera-wise, Carmen is good for a starter, while I'm a bit partial to Donizetti.
"In fact, I'd like to read my abridged copy of Les Misérables again. Perhaps one day, I'll pick up an unabridged copy of it and dive in. Maybe."
I started digging into this, and it's a huge read. I'm a fast reader, and I'm really intimidated by that thing.